​We recently saw what we’re about to describe, and it left us aghast. 
 
Learn from the little tale we’re about to spin!
 
What you’re reading—this article, these very words—is a blog entry. Here at Copel Communications, we’ve been posting articles like this, every two weeks, for more than ten years, now. 
 
Thank you. We knew you’d be impressed. 
 
But what is this horror-inducing tale? you’re surely asking. And what does that have to do with the title of this article?
 
Okay. Maybe you’re not asking. We already knew you were smart. And likely figured it out already. But stay with us. 
 
So. We post blogs on a regular cadence. Twice a month. At the top of the month, each month, our blogs are more focused on our consultants audience. At mid-month—like this article—they’re more broadly geared toward our creatives audience. And yes, they certainly overlap. You don’t need to be running an ad agency to get a good takeaway, from this article, for your business. 
 
As we’d said. Every two weeks. Like clockwork. 
 
Now you don’t need to do them every two weeks. That’s our cadence. 
 
But man oh man. It is a cadence. 
 
Here’s the story: 
 
We were recently connected with a gentleman who was running his own creative agency; it specialized in web design. We’d been introduced by a mutual acquaintance, and had booked a Zoom call. 
 
Prior to the Zoom call, we did our due diligence. That is, we checked out this web designer’s website. And this is where we had our holy !@#$ moment. 
 
Just like our site—and almost everyone else’s—this designer’s website had a “Blog” section. (It could also be called “Recent Posts.” Same thing.) 
 
So we decided to check it out. 
 
And when we got there—we are not making this up—we saw—promise, we are not making this up: 
 
One blog. 
 
One. 
 
Just one. 
 
One.
 
And—to make matters worse—it was date-stamped. From about two years ago. 
 
Oh-my-goodness. 
 
Put yourself in the shoes of a prospect searching for a web designer. You Google. You find this designer’s site. And you check it out, just as we did. 
 
And, out of curiosity, you decide to catch up on their latest thought leadership and/or musings. And you see one sole blog, time-stamped from two years ago. 
 
Quick: What’s your reaction? 
 
You got it: Are they still in business???
 
Our reaction precisely. 
 
Whoever you are, reading this article, do not repeat this suicidal mistake. Do not project to the world—and to your prospects, for goodness’ sake—that you, once, two years ago, had an idea, just one, and then went completely brain dead but somehow managed to keep paying your URL hosting fees. 
 
It is worse, far worse, than not having any blogs at all. Clearly!
 
Now extrapolate from this story, this extreme example. 
 
Could you solve this by having two blogs? One from two years ago, and another from merely one year ago? 
 
Of course not. 
 
See where this is going? If you’re going to post, then post. And keep at it. 
 
But what if you’re not a content machine? That’s entirely possible.
 
Then do this: Create at least, say, a half-dozen entries. And make sure they’re not date-stamped when you post them. Needless to say, make sure that the topics of these articles are evergreen, too; you don’t want to, say, comment on that morning’s big headline from the news. 
 
Of course, if you’re a web designer, you may want to show off that you’re good at building, and updating, websites. Starting with your own. 
 
Need help with a challenge like this? Or any other? Contact us. We’d be delighted to help. 

​This is a perennial—and paradoxical—challenge. If you don’t update your brand after too long a period of time, it will look and feel stale.
 
Yet when you update it, you risk diluting it and squandering all of the brand impressions you’ve worked so hard to build. 
 
So what do you do? Is there a happy medium, a bright shining line to follow? 
 
In this article, we’ll give you some pointers, some do’s and don’ts, and a little experience of ours based on a recent client assignment. 
 
Let’s start with that last part, first. 
 
Re-Branding 101
 
For this client assignment (and remember, we’re always fuzzing the details to add anonymity), our client wanted to create a new “2.0” version of one of their signature branded products, which had been well established, and received, in the marketplace over the past five years. 
 
So why the update? 
 
Good question. You don’t just do these things for light or transient reasons. In the case of our client, they had made significant revisions to the product itself, to the point where it warranted a new release and brand update. 
 
So the rationale was there. That’s good. 
 
(If it’s not, push back. Simply updating for the sake of updating is a mark of, well, fashion, and that’s a whole different planet from what we’re discussing here.) 
 
A good question to ask at this time: Has the audience changed? The brand, really, is for them to consume. 
 
In our client’s case, the answer was, “Not too much.” 
 
Which let us turn, rather organically, to the mandatories which would remain. In this situation, we were locked in to the client’s color palette. They had a certain bold approach that served them well and reflected their brand identity. And they had a few little visual elements that needed to carry over, in the whole branding picture. 
 
All in all, this is a very good, solid re-branding assignment. 
 
So what did we do? Well, we listed out what needed to stay (the aforementioned mandatories) and what should get updated. We got the client’s blessing on this two-column list. 
 
Then we made some quick thumbnails—nothing too detailed, mind you—of how this new branding might be visualized. We then turned these over to the talented graphic artist we were working with on this account, and let her do her thing. 
 
Narrowing the field
 
Our designer wowed us with lots of great options. As we had hoped, she took the ideas from the thumbnails, and then really ran with them. In lots of creative directions. They were just enough to get her going in the proper direction, while letting her creativity shine. 
 
We’re happy to report that our client had a hard time choosing. The classic “embarrassment of riches” situation. That’s as good as you can hope for. 
 
Eventually, our client chose their favorite. This then went through several rounds of tweaking revisions. And the end result was strong. The client was happy. And so were we. 
 
There was a story, a number of years ago, about the then-latest Pepsi re-brand. It was, in short, a disaster. The design firm issued something like a 40-page white paper explaining why the new logo was supposedly so great. (Not to mention expensive!) 
 
Fast-forward to today, and that re-brand is history. The newer logo is better. It respects its heritage. And it’s instantly grasp-able. 
 
Those are the do’s. The don’ts? Man, if you need to write a white paper to try and justify your brilliance to your client, start over. 
 
Need help with a re-branding initiative? Contact us. We’d be delighted to help! 

​We were recently tasked with writing some marketing copy for a B2B client of ours, utilizing real-life success stories from their client files. The goal, not surprisingly, was to lure other prospects into becoming clients, too, when they read about these great successes. 
 
This is so straightforward that it’s boring. Right? 
 
Nope. It warrants an entire article. 
 
Who wants what? 
 
Granted, we need to cloak this story in anonymity—just as we’d needed to cloak this assignment in anonymity. We couldn’t tell the world, for example, that our client’s specific client suffered from broken systems, couldn’t serve their customers, and so on. 
 
Similarly, you don’t want to get too deep in the weeds on the technical side. And herein lies the gist of this story, and its lesson. 
 
Let’s get specific. For our client’s client—the one in the success story—they’d used Systems A, B, and C to do their work. They had problems with Systems A, B, and C, which our client helped them solve. 
 
So we could have been very specific, in calling out Systems A, B, and C by name, even when we never mentioned who-the-client-was, by name. 
 
That would have been accurate. It wouldn’t have gotten anyone into trouble. And, on the surface, it seemed to be the thrust of this assignment. 
 
But you’ve got to take a customer-back approach here. (Yes, you can make a drinking game out of how many times we say “customer-back approach” here at Copel Communications.)
 
Here’s the rub: The goal here, if you really look at it, is not to explain how the client in the success story succeeded.
 
It’s not? 
 
Nope. 
 
The goal, rather, is to tell a prospective client how they could succeed.
 
Aha. That’s different. 
 
Which gets back to Systems A, B, and C. In this world in which our client competes, there’s a lot more than Systems A, B, and C for their clients and their prospects. There are systems which compete with Systems A, B, and C. 
 
Put it this way: You don’t want to turn off a prospect just because they’ve opted to use System D. 
 
Get it? 
 
This gets back to the marketing challenge. It’s subtle, yet important. For this assignment, we didn’t want to call out Systems A, B, and C by name… but rather by function. We wanted to create blanket terms for them, for the exact reason of not alienating a prospect who uses System D. 
 
So instead of saying “We helped our client with System A,” we said “We helped our client with their transactional reporting platform” (or whatever). This way, whether you use System A or System D for transactional reporting, you both perceive the value of what the company does. 
 
As we’d said, this is a subtle difference—the matter of just a few words here and there—but it really makes the difference between attracting the prospects you want, or having them self-select elsewhere. 
 
Remember: This distinction was not spelled out to us in our marching orders. It was incumbent on us to read between the lines, to take that customer-back approach, and do the right thing by our client. 
 
Need help with a similar under-the-radar marketing challenge? Contact us. We’d be delighted to help! 

​Sometimes, the success of your creative marketing hinges on some decidedly un-creative input. 
 
Here’s a true story. 
 
We were recently tasked with scripting a video for a client of ours. Granted, we have to cloak this in anonymity, but you’ll get the gist: 
 
The client of ours is a consultancy. They had created a breakthrough technical solution for one of their clients. Our job was to script a video, showing the whole world this breakthrough solution—while also anonymizing our client’s client. 
 
Follow? 
 
On the surface, this is a pretty straightforward assignment. We had to write a script which would show prospective clients (for the consultancy) how amazing this technical solution is. But it quickly became trickier than you might think. 
 
Our point of contact at the consultancy was one of the super-sharp technical people who had actually worked on this breakthrough solution. Let’s call him Steve. 
 
Steve was our source of input. And so Steve—not terribly shockingly—told us all about this breakthrough solution. Every nut and bolt. Every feature. Every output. Every paradigm-shattering spec. 
 
And we couldn’t write the script.
 
Know why? 
 
Think about it. 
 
Our task was to write a brief—as in, two- to three-minute—video, dramatically showcasing this breakthrough solution. 
 
Yet what had Steve, in all his ardent energy, failed to provide us? 
 
Of course: Act One.
 
Huh? 
 
Two sides to every story (and marketing piece)
 
A video like this—or any marketing piece like this—should follow what we call “a two-act structure.” Steve had given us all of the input for Act Two. That is, the solution.
 
But of course! Now it’s super obvious, isn’t it? 
 
A solution solves a problem.
 
What was the problem?? 
 
We asked Steve. And he said “Well, our client couldn’t do X.” And yes, he technically answered our question, but he didn’t exactly help us. 
 
And here we get to the gist of this article. Steve is not a creative pro. That’s not his job. He excels at plenty of other stuff, and the world is a better place because of it. 
 
But he needed a little help, a little nudging, from us, to give us the input we’d craved for Act One of this script. 
 
And so we asked him, “Could you tell us more, please? Why couldn’t your client do X? What were all the contributing factors? We want to know, as much as possible, about the sheer chaos they were confronting before your solution came along. We want the ‘Before’ to be horrendous! Inundate us with details! The messier, the better!” 
 
You could see the light dawning in Steve’s eyes. Of course! The messier, the better! Because The Great Wonderful Solution isn’t so great or wonderful unless it really clears what appear to be insurmountable hurdles. 
 
Once Steve got it, he got it. After all, who would know that client’s “before” situation better than him? He piled on with gory details, and voilà! We were able to pen a truly effective video. 
 
Clearly, you can extrapolate a lot from this little story. Marketing and advertising routinely require creativity. And just as routinely, your input sources may not be people who are naturally creative. 
 
But they can be coaxed. The information is there. You just need to tease it out. 
 
Need help with a creative challenge like this? Contact us. We’d be delighted to help! 

​“Blend word”?? What the heck is that? 
 
More importantly, how can you make money off of one of these things?
 
Let’s dive in. 
 
As is the case with lots of our articles here at Copel Communications, this one is based on a real client story. And as is the case with all of the real client stories we use as inspiration for articles, this one, like the others, has been anonymized for privacy purposes. But you’ll still get the gist. And the takeaways. 
 
Here’s the story: 
 
Recently, a client of ours wanted us to develop some pitch materials for a new business they were developing. Excitedly, they told that they’d already come up with a name for this new business, and were looking forward to registering a domain for it. 
 
The name of this new business (we’re modifying/anonymizing/making this up) was “Asset Protect.” 
 
“Asset Protect.” Hmmm. 
 
Well, you can guess, pretty accurately, what they do. So that’s good. 
 
But boy is that name ever generic. Which is not good. 
 
Can you guess where this story goes? Of course: Our client had one tough time registering that “unique” domain. “Asset Protect” had long been taken, by someone else, in an equally straightforward/uncreative foray. 
 
Portmanteau to the rescue
 
To us, the solution to this problem was super simple. Employ a portmanteau or blend word. 
 
“Portmanteau” is about as funny a term as “blend word,” and you may not have heard of either. 
 
Not a problem. Because you know zillions of examples of these things, and you’ll say “Ohhh!” as soon as you read ones like: 

• Breakfast + lunch = brunch 

 

• Smoke + fog = smog

 

• iPod + broadcast = podcast 

 

• Web + log = blog 

 
We could go on forever. 
 
Applying this mashup concept to branding is equally well established and, we think, effective. Consider: 

• FedEx

 

• PetSmart 

 

• Microsoft 

 

• PayPal 

 

• Pinterest

 

• YouTube

 

• Snapchat 

 

• Facebook 

 

• DoorDash 

 
Need we go on? 
 
One of the reasons we mention this is because our frustrated client had considered inventing a totally new made-up name. That certainly comes with benefits: For example, if you invent something completely new, there won’t be any competition for it when it comes to registering your domain, and you’ll have rock-solid IP protection in the potential case of infringement. 
 
Still. The drawback is that that’s hard to do, for a basic small-to-midsized business. It takes a ton of (expensive) impressions for the whole world to know what you do. 
 
Consider: 

• Apple 

 

• Amazon 

 

• Zillow 

 
Honestly. Would you have any idea what those companies do without their having invested zillions of dollars to inform you? 
 
So. The portmanteau/blend-word is a nice middle ground between the uninspired “Asset Protect” and the what-the-heck-is-that “Wazzibobo” or whatever. 
 
It’s not perfect. Because great minds think alike. If you’re launching a new brand and come up with what you think is the perfect portmanteau word for it, brace yourself. There’s a decent chance that someone else already came up with that one, and registered it, too. 
 
Not to worry. Keep on plugging. 
 
Or get help. Like us. Contact us for that next marketing assignment. We do things like this all the time, and would be delighted to help. 

​We know a talented web designer who told us that websites age in dog years. That may well be true of the technology. But in this article, we’re going to talk about your branding and your messaging. 
 
If you’re considering a refresh of your site, or perhaps even a wholly new site, this article is for you. Even if a potential rework is way in the future, you can still learn some good time- and expense-saving tips here. So read on! 
 
Website in the spotlight
 
We have a client whose business recently pivoted from serving mid-level customers to very high-end customers. (We can’t give too much detail here, but there should be enough info for you to follow the story.) 
 
The high-end prospects would be more profitable for our client. Making this choice to pivot was the result of a lot of soul-searching and analytical number-crunching. It represented a switch from serving a greater number of decent-revenue-providing clientele to a smaller number of awesome-revenue-providing clientele. 
 
As we’d said, we’re gauzing up this story. But you now know enough to follow it—and to see the parallels that exist to your situation, and your website. 
 
Ah yes. The website. The moment this client of ours decided to pursue a newer, higher-end audience, their existing website (not to mention all of their other marketing materials) immediately became outdated. It was way “beneath” their new audience—and wholly lacking in the newly-refined service offerings they had developed. 
 
Our client knew that this would be coming. Recall all of the aforementioned soul-searching and number-crunching. 
 
So they called on us to help them create the new website. We don’t do this alone. We work closely with the client. They have a great web designer, with a full team, that we love. We also have some great video editors to help create the site’s embedded content (which we scripted). 
 
But here, in this article, we’d like to walk you through the process we employed—and get to those elusive “pilot pages” that we’d mentioned in the title. 
 
Starting wide
 
As we’d noted, the client had decided to serve a new audience. And if you’ve read any of our articles here at Copel Communications, you can practically do a drinking game for each time we mention “taking a customer-back approach.” We’re passionate about this. (Because it works!) 
 
In other words, start with the customer. Explore their needs. Then work backward to the marketing strategy and tactics. 
 
So here are the big things we did with this client, in order:

• Deeper dive customer discovery. Through a series of structured strategy sessions, we really dived into the new prospects they were targeting. What are their pain points? What are they doing now? What are their best alternative options, besides out client? What might “trigger” them to make a switch? Who are the secondary targets we needn’t address directly, but wouldn’t mind attracting? Who are the “tire kickers” we want to avoid engaging with? (We have a great article on that topic, by the way.) 

 

• Narrative creative concepts. Once we had nailed down the customer persona (sometimes called the “avatar” or ICP for Ideal Customer Profile), we worked up a number of written descriptions of what the new website would look and feel like. These “narrative creative concepts” are very time- and cost-efficient. They describe the theme, tone, and feel of a proposed new site’s treatment, talking about the imagery, copy, amount of white space, navigation, and so on. And we provided several to choose from, each with a slightly different creative approach. The client then picked their favorite. 

 

• Website wireframe. We then wrote this up, outline-style, and reviewed it with the client—moving, re-prioritizing, and adding and cutting as needed, until we had a nice tight version. (Want to learn more about how we do this—and you can, too? We’ve got a nice article you can check out.) 

 

• Pilot pages. No, we’re not gonna describe them here in this little bullet. These warrant their own subhead. 

 
Exciting new subhead: Pilot pages!
 
Mind you, all of the work we’d described above is upstream of the web designer. Why? Two reasons: 

• One: It’s essential to steer them in the right direction for what they will undertake. Not “kinda/sorta the right direction.” And that’s because of Reason Two: 

 

• Two: That’s a lot of people, working hard. It ain’t cheap. We’re frugal with our customers’ marketing spend here at Copel Communications. 

 
So what are these teased-to-death-by-now “pilot pages”? It’s actually really simple. Despite the wonderfully described tone from the chosen narrative creative concept, it’s time to create actual public-facing website copy at this point. 
 
So should you unleash your writer—even if it’s us—to pen all of these pages at once? You have, after all, an approved concept and a signed-off wireframe. 
 
Answer: No. 
 
Again, you want to be efficient and frugal. So go through your wireframe and pick out just a few—two, maybe three—pages that would be good tests of the final tone-and-feel verbiage. These will be your “pilot pages.” 
 
They’re easy to choose—but hard to write. Expect a bunch of revisions. But once you lock them down, the other pages go way, way faster. 
 
The obvious one to start with is the home page. That’s mandatory. After that, it depends on which one you think would be 1) difficult, 2) representative, and 3) a good model for subsequent/deeper pages. That last point is especially important if you’re going to be engaging a team of writers: You want them to be able to reference the approved pilot pages, and use them to make sure they’re sticking to the proper tone. 
 
Incidentally, once you have your approved pilot pages, you can then feed them, with confidence (along with the approved narrative creative concept and wireframe), to your web designer. From that point, it’s off to the races. 
 
Need help with your next website project? Contact us. We’ve done lots of these, and would be delighted to help with yours. 

​We don’t know a company in the world that enjoys the prospect of exhibiting at a trade show. It’s often the epitome of stress. 
 
But you can alleviate a good chunk of it. Hence this article. 
 
Grab the lowest-hanging fruit
 
Sure, you’ll want to promote your presence at the upcoming show. That means creating ads and memes for social sites such as LinkedIn. 
 
But what if that were already done for you? 
 
Duh. It is, in most cases. The hosting company will typically create artwork that you can use for your own purposes. It’s in the “Exhibitor Kit” you got when you signed up, and/or it’s available for download on their website. 
 
These will be pre-created ads that say “Hey [Industry]! [Our company] will be at [Name of Trade Show] in [Location] on [Dates]! Look for us in Booth [Number]!” 
 
Granted, these won’t be stunning. Often, they’re stunningly generic. But they are there and you’re effectively getting them for free (with your paid entrance fee). So download ‘em, populate ‘em, and post ‘em. 
 
And if you belong to multiple LinkedIn groups—you do belong to multiple LinkedIn groups, don’t you?—be sure to post these things in every group you belong to, at regular intervals. 
 
That’s one little bit of pre-trade-show stress reduced. 
 
By the way, be sure to take advantage of all the stuff that the exhibiting venue gives you in advance. Submit all the information about your company to help populate, say, the mobile app that visitors will use to navigate the venue. You certainly don’t want to be left out of that. 
 
Update what you bring
 
Is your booth or stand-up display skin still showing that outdated version of your company’s logo? Or artwork featuring people wearing Covid-era masks? Now’s the time to re-visit those materials, and update them as needed. 
 
This also applies to things like handouts, leaflets, flyers, brochures, and even business cards (you have them ready for that new sales rep you hired, right?). 
 
Note that all of the above-mentioned materials are fairly production-heavy, as in turnaround time. So prioritize those first. Get the input out the door and into the vendors’ hands, allowing ample time for both revisions and delays. 
 
Also consider the promotional items you’ll bring. We had a client who would prioritize what kinds of goodies to give away at their booth based on whether or not they would fit into a carry-on bag, LOL! It’s true. Whatever works for you. 
 
Speaking of updating your materials: You’ll want to tweak your slide deck, for whether you’ll be showing it at your booth, presenting in a conference room, or entertaining prospects in a hospitality suite. Fortunately, unlike those printed materials such as booth skins and brochures, you can update your slide deck with just a few clicks, no vendors or turnaround time required. 
 
This is similar to your website. You do have a big tile on your home page advertising your upcoming presence at the show, don’t you? 
 
Don’t reinvent the wheel
 
Here’s a classic question: “How do we get more prospects to visit our booth and give us their contact info?”
 
It’s a valid question. It’s also one that’s been brainstormed, and answered, a zillion times. So don’t reinvent that wheel. Use the latest iteration of Google, a.k.a. ChatGPT. Simply ask it that exact question. It will effectively search the entire internet, and give you a list of suggestions, from giveaways and contests to customized swag bags. 
 
Speaking of not reinventing the wheel: We had a client employ a little desktop carnival-wheel game, wherein visitors could spin for prizes. Again: Ask ChatGPT: What are some good prizes? Obvious answers are discounts on your services, loss-leader free services, Amazon gift cards, “Spin Again” slots, and so on. 
 
Speaking of Amazon: these little wheels are easily found there. They’re inexpensive. And they’re made of dry-erase/white-board material, so they’re easy to customize—and re-customize, say, when you run out of a certain prize. 
 
And be sure to pre-write the “Congratulations!” emails you’ll be sending to all the prize winners, since you’ll have their email addresses—and will have input them into your CRM. 
 
For the love of QR codes
 
How can you not love QR codes? They apply to almost everything we’d mentioned in this article. Put them on your flyers. On your swag. Business cards. Everywhere. Link them to the most appropriate page on your website—which, in this case, might be a special landing page for trade-show attendees, replete with some kind of promotion/savings for visiting that page (and providing their contact info, booking a call, or other similar call-to-action). 
 
Everything we’d mentioned above is stuff that you can, and should, do well in advance. The sooner you do it, the more pre-show stress you alleviate. 
 
Need help? Contact us. We’d love to pitch in. 

We can’t count how many corporate videos we write here at Copel Communications. That’s because video is simply a killer medium, however you look at it: 

• It’s dense, combining visuals and narration faster and more succinctly than any other medium. 

 

• It’s low-hurdle consumption, since it’s way easier for your prospect to watch your video than, say, read your white paper. 

 

• Extra bonus: The hosting platforms out there really love it and favor it, aiding and abetting your SEO efforts. 

 
But video can be a killer in other ways, too. Like production budget. Turnaround time. And keeping the project on track as it goes. 
 
In this article, we’re going to explain a way to keep your next corporate video on-track, using a technique we’ve developed, honed, and proven over the years. 
 
Note that we say “corporate video.” The technique we’re about to describe doesn’t work for narrative films, home movies, or Hollywood blockbusters. But it’s great for videos you need to make quickly and cost-effectively—and which, more than anything, sell.
 
The old-school approach
 
A video script is formatted in two columns: one for audio, and one for video. Very straightforward. (And wholly different from, for example, the WGA format for screenplays, which is structured to support dialogue being delivered by actors within a given scene.)
 
But if you ever looked at a video script, you’ll know, without even reading it, that it’s hard to read. It’s like looking at the blueprint of a jetliner and trying to figure out what makes it fly. 
 
There’s stuff all over the place: Indications for on-screen titles, transitions, sound effects, music cues, suggestions for stock footage, directions for layering of motion graphics, et cetera, et cetera. 
 
It’s a very useful tool for a video editor. Or a voice-over artist. But for you (or for your client), it’s pretty indigestible. 
 
The old-school approach is straightforward: Start with that script.
 
And that’s the rule we’re about to break. 
 
Going rogue
 
There actually is somewhat of an analogy for the work-around we’re about to describe. And it’s based not in corporate video, but in feature films. 
 
In Hollywood, it’s known as the “treatment.” For our corporate purposes, we’ll call it “the spine.” 
 
It goes something like this: 
 
A Hollywood screenplay is typically just over 100 pages long (with the rule of thumb being one page for each minute of on-screen time). The treatment is a short narrative description of what happens in the finished movie. Like a synopsis. It could be a page; it could be five pages. Regardless, it’s quicker and easier to read than a 100-page screenplay. And it can be useful in getting people with limited time to wrap their heads around the movie-to-be. 
 
The treatment, as we’d noted, is a narrative, third-person account of the story and its characters. But a good creative treatment should be fun to read, and typically will include some choice snippets of dialogue, to help convey the mood and “sell” the piece. 
 
The ”spine,” for your corporate video, is similar. But it’s even simpler. The original name we’d given it was the “audio spine,” and that should tell you a ton. 
 
Think about it. Your corporate video doesn’t feature, say, two characters toughing it out in an argument or bar-room brawl. It shows stuff that you do, and a voice-over narrator is your guide. 
 
Ta-dah. That’s where the “audio spine” comes from. 
 
If you can write that announcer track, you’ve cleared a huge hurdle. 
 
Plus, you have something that, unlike a two-column video script, is incredibly easy to digest, regardless of the reader/audience. 
 
Hence, the “spine.” 
 
On your way
 
So the trick is to write that “spine” first. Iterate and improve it via review and revision. Then get sign-off on it.
 
From there, you can paste the approved “spine” into the “Audio” column of your to-be video script. At that point, it becomes straightforward—although of course, not simple—to populate the rest of the script with visuals, sound effects, and all the other elements we’d mentioned above. 
 
The nice thing about starting with a “spine” is that it’s fast and easy. It locks the most important element of your video script early. Which keeps all the subsequent steps on-track, and thus faster and better cost-contained. 
 
We use this approach a lot. So should you. 
 
Need help with video scripting? We’d love to come to your rescue. Contact us today to get started. 

Special news! Sure, we’ve got a good blog article here, and we’ll get to it in just a second. But first, a little announcement, which segues to this article quite nicely: 
 
We’re proud to announce that this article, these very words you are reading right now, are officially our tenth anniversary blog post. That’s right: We started publishing these in January 2015, and at that time, committed to publishing them twice a month. 
 
If you’re unaware—or simply curious—our cadence goes like this: At the top of the month, we publish articles focused primarily for our consulting/business-owner audience. At mid-month, we publish blogs focused a little more toward our “creative” audience, which includes ad agencies and other creative people we enjoy working with. 
 
Ten years! And we never missed a post. That’s 240 articles, if we’ve done our math right. 
 
And we’re not stopping now. Thanks so much for joining us for this great, long ride! Let’s dive into our latest topic. 
 
Why blogging shouldn’t be a New Year’s resolution
 
If you watched any TV during New Year’s, you were surely inundated with ads for gym memberships. It’s as predictable as sunrise. 
 
Why? Because people invariably make a New Year’s resolution to “get in shape,” and those gyms are all too happy to cash in. 
 
Be honest. How many people have you known (you may be one of them) who made one of these resolutions, joined a gym, bragged to all their friends for the first month or two… and then kind of quietly quit thereafter? 
 
Getting in shape takes commitment. In that regard, it’s exactly like blogging. Or doing social posts. Pretty much anything that has to do with your marketing outreach. 
 
Not everyone is an Olympian or an NFL star. But that doesn’t mean that you can’t whip your marketing into shape. The good news: It’s much easier than doing squats or lifting weights. 
 
You might be surprised at the trick to all this. 
 
Ready? 
 
Aim low.
 
What??? 
 
What????
 
You read right. This is counterintuitive advice if ever we’d dispensed any. 
 
Aim low.
 
Allow us to explain. 
 
The attainable cadence
 
The reason that so many people burn out on those January gym memberships is that they aim unrealistically high. So they over-do it. They can’t sustain that level of exertion. And so they just drop out. By aiming so high, they turn it into an all-or-nothing proposition. 
 
Which is exactly what you don’t want to do. 
 
So ask yourself this: How many blogs could I reasonably push out, every single month?
 
Factor into your answer disruptions like client emergencies and vacation time. 
 
Now take your answer, and cut it in half. 
 
Really? Really. 
 
The resulting number should be laughably easy to attain. And that’s the number you want.
 
For us, here at Copel Communications, we could probably turn these out every single week. But that’s pushing it. So we do it every two weeks, i.e., twice a month. And, as we’d noted above, we’ve never missed a beat. 
 
The calendar trick
 
Surely, we’ve had our share of client emergencies, vacation time, and what-not. But the trick is to create what’s called an editorial blog post calendar in which you pre-select the topics you want to blog about. 
 
Once you have that in place (we do ours in the fourth quarter each year for the subsequent year), you can then use it to write your blogs in advance so that you always have a cushion for when those client emergencies and/or vacation dates arise. 
 
Think of it. You now have two cushions: 
 
1) You cut your originally-intended cadence in half. 
 
2) You have extra blogs, already written, in the pipeline, which you can publish with a single click. 
 
When you look at it—and do it—that way, there’s zero stress. And you hit the mark every time. 
 
Again, blogging is just one type of output. You can apply this exact same approach to all kinds of marketing and business-development outreach, including emails, webinars, videos, you name it. 
 
Who’da thought it would all start by aiming low? 
 
Need help with this or similar challenges? Contact us. We’d be delighted to pitch in. 

​Zoom! And another year goes screaming past. Are we really ready for our year-end round-up of best-practice articles, written for our beloved creatives audience, here at Copel Communications? 
 
The calendar doesn’t lie. Here’s your chance to catch those ones you’d missed, and/or revisit those that helped: 

• Why headlines are hard to write. We recently had a non-writer join us on a creative assignment, and they were shocked by how hard headline-writing is. If you don’t know why, find out. And if you do, get some killer tips right here. 

 

• How to direct creatives you’re not allowed to talk to. Boy does that ever sound dystopian, but it’s the case with gig-economy platforms like Upwork and Fiverr. Learn how to get the best results, and forge satisfying relationships, too. 

 

• Why we embrace Draft Number 10. Some creative types go bonkers when a client tosses them this many revisions, but we have reason to be thankful. Find out why you should, too. 

 

• What’s the best creative approach for portraying job-threatening technology? Even if you’ve never faced this challenge, you’ll enjoy this article. It illuminates some of the darker corners of this issue. 

 

• Is your best prospect… boring? Creative people love creative challenges. So why would you embrace a target audience like this? The answers may surprise you. 

 

• How to bring your website wireframe to life. There’s more than one way to do this; which is best for you and the specific challenge you face? Get some cool pointers, based on an interesting recent client gig. 

 

• How do you work with great creative input… and not-great English? Sometimes the last link in the creative chain consists of words in English. But how do you sell them when your client’s first language is different? 

 

• How do you pitch your business in six minutes? You mean there’s more to life than the 30-second elevator pitch? Sure is. Be prepared. Get the tips you need, right here. 

 

• Why we present without PowerPoint. Should you, too, shun this go-to slide-deck platform? Sometimes. Find out when. And why. And how. 

 

• Goofy gadgets to help you be more productive. In the “real world,” toys like these could get you fired. As a creative, you’re smarter than that. Get inspired—and by all means, chime in! 

 

• What we’re thankful for: 2024 Edition. This November article has become an annual tradition at Copel Communications. See what made the list this year. 

 
Have suggestions for an upcoming post? Contact us. We’d love to hear from you!