 Great photo by Grok. Many prospective clients ask us how we work, in terms of fees, here at Copel Communications. In this article, we’ll tell you.
We provide writing, marketing, and creative services to numerous different clients: consultancies, B2B businesses, and ad agencies, to name a few. And over the years, we’d found that many of our clients wanted, well, all of our services. Which was fine by us. Indeed, more and more, in addition to pure deliverables, such as written pieces (web sites, B2B video scripts, blogs, bios, etc.), our clients wanted us to consult, and to manage, for them. This isn’t out of our wheelhouse: In a past life, we’d served as Creative Director of a New York ad agency, so we’re used to directing other creatives, such as web designers, graphic artists, video editors, voice-over artists, other writers, you name it. So it’s more than natural for us to help direct what are largely hybrid marketing teams these days: Some of our clients will have a few people on staff, such as a graphic artist and/or intern; they’ll also have a roster of vendors, such as digital marketing firms (the companies that, to dumb it down, do SEO and make social ads), video editors, and so on. And of course, many of our clients turn to us for marketing direction and strategy, as well as the tactical/operational/managerial details we’d just described above. And of course, when it comes to writing, we can switch and wear that hat. So the way that we work with our clients, these days, has evolved in sync with what they tap us to provide. In the early days, we were mostly doing writing/deliverables. So we would bill for just that. But as we’d noted above, that’s become more the exception than the rule; nowadays, most clients use us for both the writing/deliverables and the consultative services, too. And so that’s the way we bill, in case you were curious. For a typical client, we’ll work on what we call a retainer-plus-deliverables basis. First, there’s a monthly retainer: For a nominal flat fee each month, that client will get up to a given number of hours of our time, with the intention that it feels like they own us/we’re on staff. They can call us, email us, have us join or lead meetings, and feel like they never run out of hours. And of course they get all this without having to pay a big salary, or our insurance, taxes, benefits, vacation, equipment, overhead, anything. It’s a classic 1099 arrangement, with all of the perks thereof. So each month, at the end of the month, they’ll get an invoice from us for that flat-fee retainer. This includes, for example, directing all of those other creative/marketing people/assets we’d mentioned previously, as well as the big-picture strategic marketing consultative services. And if there happens to be any writing that also needs to be done, for that client, that month, the fees for those specific deliverables will be added, as line items, above the fixed-fee retainer. Hence “retainer plus deliverables.” For many years, now, that arrangement has worked well for our clients, and for us. It’s just the right mix of fixed vs. variable. There are, of course, exceptions. Some clients just pop up for little projects from time to time, so we charge them for, perhaps, discrete marketing-strategy sessions and/or deliverables, as needed. So in case you were interested in working with us, you now know how we typically work. We can give you more details, and a quote to fit your specific situation; just contact us. We’d love to hear from you!
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 Great photo by Grok. In case you were unaware, here at Copel Communications, we alternate our blog articles between those directed toward business owners/consultants (at the top of the month), and our “creatives” audiences of ad agencies and other creative folk (at mid-month).
This article is one of the latter. And it begins with a story. A colleague called us up not long ago, bemoaning the fact that her creative agency (we’re obfuscating/anonymizing here) had seen a sudden drop in business, since all of her clients were switching to AI for their creative work. To say she was unhappy was an understatement; there was a distinct edge of panic in her voice. But was she right? And how does this story relate to you, and your business? Are the ubiquitous doom-and-gloom headlines correct? And what the heck is an “Upwork moment,” which we’d teased in the headline? Let’s unpack this part-by-part. They’re going where? A little more (fudged/anonymized) info about this colleague of ours. Her creative agency serves big you-know-them national brands. They’ve entrusted her and her great staff, for years, to deliver beautiful hand-crafted creative which elevates these brands to their respective audiences. Collectively, there’s billions of dollars of brand equity at stake here. Now ask yourself an obvious question: Are these huge brands suddenly asking ChatGPT to do the same thing for them? Yeah, we’re laughing, too. These huge brands know that ChatGPT can’t come close when it comes to quality. They also know that ChatGPT (or any other widget of its ilk) treads in very murky waters when it comes to copyright clearance. Do you honestly think that they’d risk their billion-dollar brands on that? Do you think that they would dump our colleague and her team, in order to get such sketchy and legally-questionable content… merely to save a few bucks? You think they don’t have “a few bucks”? Or is the answer perhaps far more mundane? Spoiler alert: It is. As we’d told our colleague: “This isn’t AI. It’s just a downturn. A basic dip in your business, wherein a few accounts happen to be slow at the exact same time.” You could hear her sigh of relief. “Oh,” she said. “That, I can deal with.” It was, in short, familiar territory. Solve-able via old-school tricks like shaking the trees and good old-fashioned business development or biz-dev. Beware the ostrich Does this mean that AI isn’t a threat, or at least a factor? Get your head out of the sand. It’s a real thing. But then again, so was Google. So was the internet. We’re still breathing. The world didn’t end. The sky didn’t fall. Which brings us back to our “Upwork moment.” Several years ago, back around 2013, Upwork and other gig-economy platforms, such as Fiverr, burst onto the scene. Many people predicted that they would rob us of all our work and that we here at Copel Communications would promptly go out of business. We’re still breathing. The sky is still blue above us. But Upwork and Fiverr are still here and thriving. So what gives? As it turns out, Upwork was a really great find for businesses who, say, wanted dirt-cheap copywriting and didn’t care too much about the quality. So if you wanted to hire a writer from India who would create a 2,000-word blog for 15 bucks, Upwork was a godsend. This did not put us out of business. All it did was to better delineate various strata of clients and providers—and we don’t interact with either of them. Our work is higher-end than that, and our clients are, too. If you’ve read this far into this article, 1) thanks, and 2) you’re likely in the same watertight boat. Which gets back to AI. Sure, there are tons of people, worldwide, for whom AI/ChatGPT-generated content is good enough, and you certainly can’t beat the price. That is, free. For them, it’s a godsend. For us—and for you, and for our now-breathing-again colleague—it’s just another way the rest of the landscape is evolving around us. The sky ain’t falling tomorrow, either. Have a comment? Leave it in the comments below, or feel free to contact us directly.  Great photo by Grok. Question: As the year draws to a close, are you merely older… or wiser?
Not to flatter ourselves, but we think we can help with the latter. That’s because it’s time for our year-end round-up—an annual tradition here at Copel Communications —of our top posts for creatives like you. Catch the ones you’d missed. Or revisit those that helped. Enjoy!
Well, that’s all for this year. Have a suggestion for a post for next year? Contact us. We’d love to hear from you!  Great photo by Grok. We love continuous process improvement here at Copel Communications!
In this article, cash in on all the tweaking and optimizing we’ve been doing, literally for years, with different clients of ours, to make things as efficient and repeatable as possible. Today, we’re going to talk about B2B “demo” videos. Does your company ever make these? We’re talking about those “watch this screen and see what happens” kinds of explainers which also, of course, sell. So it could be a product demo. A software demo. A service. A SaaS platform. A training session. There are tons of these. They are common. And chances are, if you need to make one of these, you probably need to make a ton of these. And this is where optimized efficiency—that “Big Mac-ifying” of the process—really comes into play. In this article, we’ll describe (in broad strokes, with the details purposely blurred) how we do this for a couple of clients of ours. Pay attention: We guarantee that there are elements of this process, perhaps many elements, that apply to your situation. And the more that apply, the more you can benefit. The challenge at hand As we’d stated above, we’re going to anonymize these specific client assignments. But you’ll get enough detail to follow the process, and recognize opportunities to improve your own workflows. In the first example, this client of ours will do a screen-sharing demo of the prototype of a use-case solution they create for their clients. And they do lots of these. The big opportunity here: If you could anonymize these brilliant solutions, and pare them down into, say, little two-minute stories, you’d have marketing gold. You could use them to quickly populate, say, a dedicated playlist on your YouTube channel. You could use that to show to prospective clients, who stand to be awed, once you hit the critical mass of sheer videos posted to that playlist. Not to mention your ability to feed the voracious appetite of the SEO algorithms and web crawlers of YouTube, Google, and so on. It’s one big virtuous snowball. Turning those client demos into marketing videos, incidentally, was not as obvious a choice as you might think. You’re starting with a lot of sensitive material. You need to see the bigger marketing picture, strategically… and be able to literally blur the lines of sensitive information, tactically, once it comes time to execute. So. This client does more than have one of their reps conduct (and record, via Zoom) the client demo of each new prototype. The prototype itself is based on a use-case that was presented/sold to their client beforehand, in order to get the green-light to make the prototype. Follow? Between the raw footage of the demo Zoom call and that original use-case PDF, we’d almost have everything we need to script the video. But not quite. So here, after lots of back-and-forth and tweaking with the client, the third of our three pieces of input evolved. In this case, it’s a super basic Excel sheet. In one column, it lists the timecode of the demo video; in the column beside that, there’s a quick description of what is happening on screen at that time. Example: “00:32 – 00:41 User logs into platform, using two-factor authentication with an emailed six-digit code.” Someone on the client side makes that little Excel, typically only about ten rows deep, for us. It takes them about 30 minutes. And that’s all we need! From there, knowing this client well, we can pen the video script using a basic three-act structure:
Even easier As you can clearly see, the big lift, for the client, in the scenario above, is to create that little Excel sheet for us. But more recently, we’ve started making videos, for a different client, with no Excel required. That’s because, for the cool things that this client is creating (we can’t share details, sorry), they already create three PDFs which are not only goldmines for us, but they’re also all we require to start scripting. The three PDFs, broadly speaking, are:
These PDFs are so detailed that we’ve been able to write video scripts from them, using their details as the visuals, with the simple addition of a basic voice-over. So there will be shots such as “Zoom in ultra-tight on the detailed box at the lower right of Page 3, and pan across the different functions listed in its flow chart.” In other words, no “lift” from the client at all! It reminds us of Craisins. Huh? You know Craisins. Those “dried cranberries” originally created by Ocean Spray. While making cranberry juice, they would throw out all of the skins of the actual cranberries used. Until someone got the great idea of drying the skins and adding sugar to them, and coming up with a clever portmanteau name like “Craisin,” which implies “cranberry + raisin.” (Read our article about portmanteau names and how you can profit from them.) Think about that: All those cranberry skins were not being used. Today, they’re a massive source of newfound revenue. Ditto for the three abovementioned PDFs. They were used to create a client deliverable, and then effectively shelved. Today, they’re the basis of a “found money” marketing effort. With very little effort! Need help “McDonald-izing” some of your existing deliverables and processes into efficient marketing gold? Contact us. We’d be delighted to help!  Great photo by Grok. If you’re an aspiring business book writer, this article is for you. And if you know someone who is, this article is for them. Share it with them.
Our topic: How to get the most from your ghost copy-editor. We feel pretty qualified to weigh in on this topic, having ghost-copy-edited numerous books for various authors, some of whose works have gone on to become Amazon bestsellers. First things first: Credit where it’s due. Those aforementioned bestsellers did not become bestsellers because of us. It was due to the authors’ vision, as well as the complete marketing team that guided the book through its gestation. Still. We were along for the process from concept to completion. Interested in penning a business book? Let’s dive in. Division of labor When you hear phrases like “ghost writer” or “ghost copy-editor,” you likely think of some celebrity, sitting back and sipping martinis, while some poor hack does all the work of actually writing the celebrity’s so-called “memoir,” or whatever. And that may well be true, in that instance. But that is not what we’re talking about here. Here, we’re talking about you, as a thought-leader in your business area of interest. You want to share your wisdom and experience with others. Done right, everyone benefits: Your readers elevate their knowledge. And you elevate your status as an authority. Heck, a published authority. So this is, clearly, not about sipping martinis and letting someone else come up with the ideas. The ideas here are yours. All of them. After that, however, it gets fuzzier. And that’s not a bad thing. In fact, the opposite is true. When this process is done right, it’s custom tailored to you, and no one else. We’ve worked with authors who are detail freaks. We’ve worked with authors who are bulls-in-China-shops. And in every case, it’s our job to accommodate their style of working. Ta-dah. If you take nothing else away from this article, it should be this: Your preferred and most comfortable style of working is the one that is best for you, when working with a ghost copy-editor. Period. It’s hard enough for you to get these ideas out of your head and down on paper. And then to pay someone to lubricate that process can feel like adding insult to injury. But if it’s a good fit, it will be the opposite. It will be intuitive, stress-relieving, and rewarding. You’ll get to see pages appear that make you say, “Dang! I never realized I was that good!” And that’s just when it comes to the finished product: the pages. In consultant-speak, that’s the “destination.” Which is certainly crucial. But equally important is the “journey.” How do you like to work? In person? Via Zoom? Transactionally and asynchronously, via email? Or some crazy hybrid of all of the above? Are you serious? Are you playful? Do you work in marathons? Or sprints? Again, it doesn’t matter. Whatever works best for you is what’s best. Period. So we’ve done brainstorming sessions to help authors tease out ideas. And we’ve worked with others who have simply “thrown stuff over the wall” at us, nearly completely baked. And what’s our reward? Sure, we get paid. But the far bigger reward is seeing the happiness that our authors derive from both the journey and the destination. Remember: “Ghost.” Our name does not appear, anywhere, on any of the books we’ve helped shepherd to press. So it’s got to be a good relationship—on both sides—for it to work. Writing a book is a big project. It takes a long time, typically measured in months. So be sure you choose a ghost you can live with. Have a book project you’d like to discuss? Contact us, and let’s see if it’s a good fit.  Awesome photo by Grok. We don’t claim to be a publishing expert. That said, we have ghost-copy-edited several books, for different clients of ours, over the years. We’ve done everything from boutique self-publishing to working with one of the big-name New York publishing houses.
But the lessons we learned recently—and will share in this article—really underscore how much, and how fast, the world of book publishing has changed, in just the past few short years. Big boys can be bullies Boy were we ever disappointed, not terribly long ago, when we helped a client of ours shepherd their book through the process/wringer of a major you-know-their-name publishing house. We—mistakenly—thought that our client would get the white-glove treatment from this storied icon. Were we ever wrong. Their business model had followed—or perhaps preceded—the seismic shifts that have upended the music industry. Rather than the publishers having all the power, it’s effectively the influencers who have all the power. So if you’re, say, an indie rock band and you’ve got a zillion followers on TikTok, you hold all the cards. Why fork over your hard-earned money to some record label? Ditto for publishing. You can self-publish, pretty easily, these days (more on that in a minute), and if you can drive lots of followers and sales, then what value does a publisher—regardless of how big or how storied—have to add? This is, unfortunately, a double-edged sword. In the case of our client, they’d written a brilliant manuscript, but weren’t exactly Kardashians in terms of their social-media influence. And that was all, apparently, that the big-name publisher cared about. They peppered us with questions, such as:
And one other, which we were shocked to hear:
Ouch. You’d think that as publishers, their job would be to, well… publish. But no. They’re looking for coat-tails to ride. They want to “barnacle” themselves onto a trend, rather than expend the effort and capital to start one, regardless of how trend-worthy that manuscript might be. How disheartening. But the story does get better. The Magazine Magnate Before we get to the silver-lining chapter, we have one more churn-your-stomach tale to tell. We worked with another client, recently, and helped them to complete their book manuscript. Shortly thereafter, our client was approached by another huge-name publisher, known primarily in the magazine world, but who were now leveraging their brand name to create a publishing service to authors like our client. Hmmm. Intriguing. Well, it was, until we dived into their sales pitch. They would publish the book. And they would push out a press release for it. And they would feature it on their website. Now, in stark contrast to the old-school publisher we’d mentioned in the previous story—who, to their credit, paid our client an advance (i.e., money) against future sales for the manuscript—this magazine-magnate wanted to charge this other client of ours for the privilege of having their big name on the spine of the book… along with the aforementioned press release and website page. So now the money is flowing in the opposite direction. But okay. We’ll bite. How much did Magazine Magnate want for this service of theirs? Well, they offered different tiers. The cheapest one was $67,000.00. The priciest one topped out at $122,000.00. Can you say “Vanity offer targeted at ‘authors’ whose wallets are as inflated as their egos?” We politely declined. Goliath, meet David As we’d teased above, there is a silver lining to our client’s story—and for your book-publishing aspirations, too, especially if you don’t feel like self-educating on the arcana of Amazon’s Kindle Direct Publishing service which, while valuable, requires a ton of heavy lifting on your part. Turns out there’s a whole category of vendors out there known as book aggregators, and they do pretty much everything, for a sliver of the price we’d mentioned above. Example: For our client who declined the Magazine Magnate, they went with an aggregator who created a print-on-demand book and e-book version thereof, and distributed it to storefronts such as Amazon and Barnes & Noble and tons of others. And the whole budget was under $3k. So there’s no “advance” against sales; you’re betting with your own money. But if you can, say, sell more than $3k worth of books, you’re already in the black, and royalty checks will just keep on coming. So you can see why the old-school publishers are now very old school. Their business model has been shaken to the foundations. What value do they add, beside a logo on the spine? We’ll leave it to you to answer that question. Need help with a book project? We’ve worked on enough of them by now to have experience to offer that, we’d wager, you’d deem valuable. Contact us to learn more.  Great photo by Grok. “Blend word”?? What the heck is that?
More importantly, how can you make money off of one of these things? Let’s dive in. As is the case with lots of our articles here at Copel Communications, this one is based on a real client story. And as is the case with all of the real client stories we use as inspiration for articles, this one, like the others, has been anonymized for privacy purposes. But you’ll still get the gist. And the takeaways. Here’s the story: Recently, a client of ours wanted us to develop some pitch materials for a new business they were developing. Excitedly, they told that they’d already come up with a name for this new business, and were looking forward to registering a domain for it. The name of this new business (we’re modifying/anonymizing/making this up) was “Asset Protect.” “Asset Protect.” Hmmm. Well, you can guess, pretty accurately, what they do. So that’s good. But boy is that name ever generic. Which is not good. Can you guess where this story goes? Of course: Our client had one tough time registering that “unique” domain. “Asset Protect” had long been taken, by someone else, in an equally straightforward/uncreative foray. Portmanteau to the rescue To us, the solution to this problem was super simple. Employ a portmanteau or blend word. “Portmanteau” is about as funny a term as “blend word,” and you may not have heard of either. Not a problem. Because you know zillions of examples of these things, and you’ll say “Ohhh!” as soon as you read ones like:
We could go on forever. Applying this mashup concept to branding is equally well established and, we think, effective. Consider:
Need we go on? One of the reasons we mention this is because our frustrated client had considered inventing a totally new made-up name. That certainly comes with benefits: For example, if you invent something completely new, there won’t be any competition for it when it comes to registering your domain, and you’ll have rock-solid IP protection in the potential case of infringement. Still. The drawback is that that’s hard to do, for a basic small-to-midsized business. It takes a ton of (expensive) impressions for the whole world to know what you do. Consider:
Honestly. Would you have any idea what those companies do without their having invested zillions of dollars to inform you? So. The portmanteau/blend-word is a nice middle ground between the uninspired “Asset Protect” and the what-the-heck-is-that “Wazzibobo” or whatever. It’s not perfect. Because great minds think alike. If you’re launching a new brand and come up with what you think is the perfect portmanteau word for it, brace yourself. There’s a decent chance that someone else already came up with that one, and registered it, too. Not to worry. Keep on plugging. Or get help. Like us. Contact us for that next marketing assignment. We do things like this all the time, and would be delighted to help.  Great photo by Designecologist. We know a talented web designer who told us that websites age in dog years. That may well be true of the technology. But in this article, we’re going to talk about your branding and your messaging.
If you’re considering a refresh of your site, or perhaps even a wholly new site, this article is for you. Even if a potential rework is way in the future, you can still learn some good time- and expense-saving tips here. So read on! Website in the spotlight We have a client whose business recently pivoted from serving mid-level customers to very high-end customers. (We can’t give too much detail here, but there should be enough info for you to follow the story.) The high-end prospects would be more profitable for our client. Making this choice to pivot was the result of a lot of soul-searching and analytical number-crunching. It represented a switch from serving a greater number of decent-revenue-providing clientele to a smaller number of awesome-revenue-providing clientele. As we’d said, we’re gauzing up this story. But you now know enough to follow it—and to see the parallels that exist to your situation, and your website. Ah yes. The website. The moment this client of ours decided to pursue a newer, higher-end audience, their existing website (not to mention all of their other marketing materials) immediately became outdated. It was way “beneath” their new audience—and wholly lacking in the newly-refined service offerings they had developed. Our client knew that this would be coming. Recall all of the aforementioned soul-searching and number-crunching. So they called on us to help them create the new website. We don’t do this alone. We work closely with the client. They have a great web designer, with a full team, that we love. We also have some great video editors to help create the site’s embedded content (which we scripted). But here, in this article, we’d like to walk you through the process we employed—and get to those elusive “pilot pages” that we’d mentioned in the title. Starting wide As we’d noted, the client had decided to serve a new audience. And if you’ve read any of our articles here at Copel Communications, you can practically do a drinking game for each time we mention “taking a customer-back approach.” We’re passionate about this. (Because it works!) In other words, start with the customer. Explore their needs. Then work backward to the marketing strategy and tactics. So here are the big things we did with this client, in order:
Exciting new subhead: Pilot pages! Mind you, all of the work we’d described above is upstream of the web designer. Why? Two reasons:
So what are these teased-to-death-by-now “pilot pages”? It’s actually really simple. Despite the wonderfully described tone from the chosen narrative creative concept, it’s time to create actual public-facing website copy at this point. So should you unleash your writer—even if it’s us—to pen all of these pages at once? You have, after all, an approved concept and a signed-off wireframe. Answer: No. Again, you want to be efficient and frugal. So go through your wireframe and pick out just a few—two, maybe three—pages that would be good tests of the final tone-and-feel verbiage. These will be your “pilot pages.” They’re easy to choose—but hard to write. Expect a bunch of revisions. But once you lock them down, the other pages go way, way faster. The obvious one to start with is the home page. That’s mandatory. After that, it depends on which one you think would be 1) difficult, 2) representative, and 3) a good model for subsequent/deeper pages. That last point is especially important if you’re going to be engaging a team of writers: You want them to be able to reference the approved pilot pages, and use them to make sure they’re sticking to the proper tone. Incidentally, once you have your approved pilot pages, you can then feed them, with confidence (along with the approved narrative creative concept and wireframe), to your web designer. From that point, it’s off to the races. Need help with your next website project? Contact us. We’ve done lots of these, and would be delighted to help with yours.  Great photo by Samson Katt. Every hear of a “paper edit”? Probably not.
Let’s dive, quickly, into the topic you tuned in for: Making the easiest marketing videos you’ll likely ever make. It gets better. They’ll also be among the least expensive to produce. And they’ll also be among the most powerful. Salivating yet? Let’s get started. Recycling is good for the planet… and your business A client of ours recently recently pitched a new prospect via a Zoom call. Specifically, they “ran the demo” of the company’s offerings, which included both a PowerPoint slide deck and a demo of specific SaaS (software-as-a-service) offerings. The call went great. Our client closed the deal. What could be better than that? How about closing lots of deals? From the exact same call. You’re smart. You’re already way ahead of us here. Why do we even try to build any suspense? LOL! The key: Our client recorded the Zoom call. With the prospect’s permission, of course. Important point: the recording did not show the prospect on screen. Only our client, who was presenting. That recording is worth its weight in gold. It’s a verbatim capture of the best possible sales pitch, with our client hitting it out of the park. The entire video ran about 20 minutes. And in it, our client—the one who was running the demo—was making killer point after killer point, with each one nicely illustrated by either a powerful preso slide or quick SaaS demo. We watched this video, and realized that it was marketing gold, being served to us on a platter. The paper edit “Paper edit” is an old-school video editing term, which surprisingly isn’t so old-school or even outdated. It’s exactly what we created in this case. And it’s what you can do, too. (You know you’ve got some good recorded Zoom pitches by now. And if you don’t, you know you’re just itching to record your next one.) Here’s the task. Take that 20 minutes of raw footage, and convert it into as many little McNugget-sized videos as you can. They should run anywhere from about ten to 30 seconds each. So you just need to park the video in a window on one side of your screen, and a blank Word doc on the other. Watch the video and look for the organic “start” and “end” points of each little mini-video. Write down the time codes for each. Then come up with a title for that specific mini video. Lather, rinse, repeat, and you’ll have a “paper edit” which you can hand off, along with the big raw-footage file, to your favorite/least-expensive video editor. You will have done the heavy lifting; at this point, your editor simply needs to follow your instructions. They’ll need to create a master “set of bookends” first: This will be the opening title card, underlying music bed, and tail-end/call-to-action (CTA) title card. Once you approve those, you’re off to the races. Your editor will be able to crank these out like a machine. In our case, the 20 minutes of raw footage yielded more than 20 different short videos. They were so simple to create, that we didn’t even need our usual high-end editor for this assignment. Rather, we handed off the footage and the paper-edit doc to our client’s digital marketing firm; they were able to make these little vids for us—and put them to use, too, since they were able to easily fold them into the account’s digital marketing strategy. Sure, we continue to make slick, highly-produced videos for this same client. But they’re more expensive and less frequent. These little videos are awesome for keeping the world informed and teased, while easily building up your social presence on platforms like LinkedIn, simultaneously boosting the brand and impressions. Need help with an assignment like this, or others? Contact us. We’d be delighted to help.  Great photo by Andrea Piacquadio It’s funny how some things in business are cyclical. Way back in the day, we toiled over printed outreach, a.k.a. “direct response” a.k.a. “mailers” a.k.a. “junk mail” a.k.a. “printed spam.”
Of course, all that went out the window when things went electronic. Spam postal mail was superseded by spam email. Ah, progress! Yeah, we can afford to be a little snarky here. Stay tuned. Because the very recent tale we’re about to spin holds profit potential for your business, and your outreach. Dialing up the numbers game First things first: You invest in direct response to drum up new business. It’s like cold-calling. (We could—and may—write another article on that topic, speaking of business cycles and swinging pendulums.) Direct response is a numbers game. If you send out to 100 people, your odds of getting a response aren’t very high. If you sent out to 10,000 people, your odds go up accordingly. Direct response is also often described as a three-legged stool. The list is one of those legs, and its quantity is just as important as its quality. You don’t want to send to people whose addresses (physical or electronic) have changed, not to mention their title… or even their company. The second leg is the quality of the offer. You’ve got to have something that’s really targeted and worth their time, ideally solving a problem they needed solved yesterday. The third leg is the outreach piece itself. That is, the email, or the letter, or the catalog or brochure or whatever. That’s the crux of this article. A matter of cost Print is expensive. Postage is expensive. There’s a carbon-footprint consideration to it, too. So the whole marketing community breathed a collective sigh of relief when things went from postal to email, decades ago. And for a long time, it worked. Correction: It still does… to an extent. But things have definitely changed. You’ll cringe when we mention it, but a big disruptor here is ChatGPT. When it hit the scene, it made it easy for anyone to instantly generate a well-enough-worded email, which they could then blast out to whomever. And boy did they ever. It practically broke the internet. No, that’s an exaggeration. To put a finer point on it: it practically broke every ISP’s spam filter. We have clients now who can’t even send emails to their own, known clients without their getting trapped in spam filters. It started with ChatGPT: The clients’ clients’ spam filters have been closed down so much, to deal with so much incoming junk, that even their own trusted vendors sometimes get locked out. Some of those longtime trusted vendors happen to be clients of ours. And they’ve been switching back to postal outreach. And it’s been working. Where have all the emails gone? One of these clients of ours recently sent out a catalog. Well, not really a catalog. Call it more of a thought-leadership piece that was really a very handy resource for C-level executives to have on their bookshelf. (We’re purposely being cagey here; we can’t reveal too much.) Now this “catalog” isn’t any good unless it gets opened. In other words, tucked inside the envelope with it was--gasp—a cover letter. Yep. We worked on that one. Short, but vital. It teased what was in the “catalog.” It teased the benefits of working with the company that created it. And it invited the reader to book an all-important demo to learn more. Guess what? Envelopes were opened. And demos were booked. By the exact same execs whose spam filters had blocked every other form of recent outreach to them—including electronic versions of the exact same catalog. Email isn’t dead. But boy is this pendulum ever swinging toward print right now. Need help with thorny issues like these? Contact us. We’d be happy to help! |