 Great photo by Grok. “Blend word”?? What the heck is that?
More importantly, how can you make money off of one of these things? Let’s dive in. As is the case with lots of our articles here at Copel Communications, this one is based on a real client story. And as is the case with all of the real client stories we use as inspiration for articles, this one, like the others, has been anonymized for privacy purposes. But you’ll still get the gist. And the takeaways. Here’s the story: Recently, a client of ours wanted us to develop some pitch materials for a new business they were developing. Excitedly, they told that they’d already come up with a name for this new business, and were looking forward to registering a domain for it. The name of this new business (we’re modifying/anonymizing/making this up) was “Asset Protect.” “Asset Protect.” Hmmm. Well, you can guess, pretty accurately, what they do. So that’s good. But boy is that name ever generic. Which is not good. Can you guess where this story goes? Of course: Our client had one tough time registering that “unique” domain. “Asset Protect” had long been taken, by someone else, in an equally straightforward/uncreative foray. Portmanteau to the rescue To us, the solution to this problem was super simple. Employ a portmanteau or blend word. “Portmanteau” is about as funny a term as “blend word,” and you may not have heard of either. Not a problem. Because you know zillions of examples of these things, and you’ll say “Ohhh!” as soon as you read ones like:
We could go on forever. Applying this mashup concept to branding is equally well established and, we think, effective. Consider:
Need we go on? One of the reasons we mention this is because our frustrated client had considered inventing a totally new made-up name. That certainly comes with benefits: For example, if you invent something completely new, there won’t be any competition for it when it comes to registering your domain, and you’ll have rock-solid IP protection in the potential case of infringement. Still. The drawback is that that’s hard to do, for a basic small-to-midsized business. It takes a ton of (expensive) impressions for the whole world to know what you do. Consider:
Honestly. Would you have any idea what those companies do without their having invested zillions of dollars to inform you? So. The portmanteau/blend-word is a nice middle ground between the uninspired “Asset Protect” and the what-the-heck-is-that “Wazzibobo” or whatever. It’s not perfect. Because great minds think alike. If you’re launching a new brand and come up with what you think is the perfect portmanteau word for it, brace yourself. There’s a decent chance that someone else already came up with that one, and registered it, too. Not to worry. Keep on plugging. Or get help. Like us. Contact us for that next marketing assignment. We do things like this all the time, and would be delighted to help.
0 Comments
 Great photo by Designecologist. We know a talented web designer who told us that websites age in dog years. That may well be true of the technology. But in this article, we’re going to talk about your branding and your messaging.
If you’re considering a refresh of your site, or perhaps even a wholly new site, this article is for you. Even if a potential rework is way in the future, you can still learn some good time- and expense-saving tips here. So read on! Website in the spotlight We have a client whose business recently pivoted from serving mid-level customers to very high-end customers. (We can’t give too much detail here, but there should be enough info for you to follow the story.) The high-end prospects would be more profitable for our client. Making this choice to pivot was the result of a lot of soul-searching and analytical number-crunching. It represented a switch from serving a greater number of decent-revenue-providing clientele to a smaller number of awesome-revenue-providing clientele. As we’d said, we’re gauzing up this story. But you now know enough to follow it—and to see the parallels that exist to your situation, and your website. Ah yes. The website. The moment this client of ours decided to pursue a newer, higher-end audience, their existing website (not to mention all of their other marketing materials) immediately became outdated. It was way “beneath” their new audience—and wholly lacking in the newly-refined service offerings they had developed. Our client knew that this would be coming. Recall all of the aforementioned soul-searching and number-crunching. So they called on us to help them create the new website. We don’t do this alone. We work closely with the client. They have a great web designer, with a full team, that we love. We also have some great video editors to help create the site’s embedded content (which we scripted). But here, in this article, we’d like to walk you through the process we employed—and get to those elusive “pilot pages” that we’d mentioned in the title. Starting wide As we’d noted, the client had decided to serve a new audience. And if you’ve read any of our articles here at Copel Communications, you can practically do a drinking game for each time we mention “taking a customer-back approach.” We’re passionate about this. (Because it works!) In other words, start with the customer. Explore their needs. Then work backward to the marketing strategy and tactics. So here are the big things we did with this client, in order:
Exciting new subhead: Pilot pages! Mind you, all of the work we’d described above is upstream of the web designer. Why? Two reasons:
So what are these teased-to-death-by-now “pilot pages”? It’s actually really simple. Despite the wonderfully described tone from the chosen narrative creative concept, it’s time to create actual public-facing website copy at this point. So should you unleash your writer—even if it’s us—to pen all of these pages at once? You have, after all, an approved concept and a signed-off wireframe. Answer: No. Again, you want to be efficient and frugal. So go through your wireframe and pick out just a few—two, maybe three—pages that would be good tests of the final tone-and-feel verbiage. These will be your “pilot pages.” They’re easy to choose—but hard to write. Expect a bunch of revisions. But once you lock them down, the other pages go way, way faster. The obvious one to start with is the home page. That’s mandatory. After that, it depends on which one you think would be 1) difficult, 2) representative, and 3) a good model for subsequent/deeper pages. That last point is especially important if you’re going to be engaging a team of writers: You want them to be able to reference the approved pilot pages, and use them to make sure they’re sticking to the proper tone. Incidentally, once you have your approved pilot pages, you can then feed them, with confidence (along with the approved narrative creative concept and wireframe), to your web designer. From that point, it’s off to the races. Need help with your next website project? Contact us. We’ve done lots of these, and would be delighted to help with yours.  Great photo by Juliano Couto. We don’t know a company in the world that enjoys the prospect of exhibiting at a trade show. It’s often the epitome of stress.
But you can alleviate a good chunk of it. Hence this article. Grab the lowest-hanging fruit Sure, you’ll want to promote your presence at the upcoming show. That means creating ads and memes for social sites such as LinkedIn. But what if that were already done for you? Duh. It is, in most cases. The hosting company will typically create artwork that you can use for your own purposes. It’s in the “Exhibitor Kit” you got when you signed up, and/or it’s available for download on their website. These will be pre-created ads that say “Hey [Industry]! [Our company] will be at [Name of Trade Show] in [Location] on [Dates]! Look for us in Booth [Number]!” Granted, these won’t be stunning. Often, they’re stunningly generic. But they are there and you’re effectively getting them for free (with your paid entrance fee). So download ‘em, populate ‘em, and post ‘em. And if you belong to multiple LinkedIn groups—you do belong to multiple LinkedIn groups, don’t you?—be sure to post these things in every group you belong to, at regular intervals. That’s one little bit of pre-trade-show stress reduced. By the way, be sure to take advantage of all the stuff that the exhibiting venue gives you in advance. Submit all the information about your company to help populate, say, the mobile app that visitors will use to navigate the venue. You certainly don’t want to be left out of that. Update what you bring Is your booth or stand-up display skin still showing that outdated version of your company’s logo? Or artwork featuring people wearing Covid-era masks? Now’s the time to re-visit those materials, and update them as needed. This also applies to things like handouts, leaflets, flyers, brochures, and even business cards (you have them ready for that new sales rep you hired, right?). Note that all of the above-mentioned materials are fairly production-heavy, as in turnaround time. So prioritize those first. Get the input out the door and into the vendors’ hands, allowing ample time for both revisions and delays. Also consider the promotional items you’ll bring. We had a client who would prioritize what kinds of goodies to give away at their booth based on whether or not they would fit into a carry-on bag, LOL! It’s true. Whatever works for you. Speaking of updating your materials: You’ll want to tweak your slide deck, for whether you’ll be showing it at your booth, presenting in a conference room, or entertaining prospects in a hospitality suite. Fortunately, unlike those printed materials such as booth skins and brochures, you can update your slide deck with just a few clicks, no vendors or turnaround time required. This is similar to your website. You do have a big tile on your home page advertising your upcoming presence at the show, don’t you? Don’t reinvent the wheel Here’s a classic question: “How do we get more prospects to visit our booth and give us their contact info?” It’s a valid question. It’s also one that’s been brainstormed, and answered, a zillion times. So don’t reinvent that wheel. Use the latest iteration of Google, a.k.a. ChatGPT. Simply ask it that exact question. It will effectively search the entire internet, and give you a list of suggestions, from giveaways and contests to customized swag bags. Speaking of not reinventing the wheel: We had a client employ a little desktop carnival-wheel game, wherein visitors could spin for prizes. Again: Ask ChatGPT: What are some good prizes? Obvious answers are discounts on your services, loss-leader free services, Amazon gift cards, “Spin Again” slots, and so on. Speaking of Amazon: these little wheels are easily found there. They’re inexpensive. And they’re made of dry-erase/white-board material, so they’re easy to customize—and re-customize, say, when you run out of a certain prize. And be sure to pre-write the “Congratulations!” emails you’ll be sending to all the prize winners, since you’ll have their email addresses—and will have input them into your CRM. For the love of QR codes How can you not love QR codes? They apply to almost everything we’d mentioned in this article. Put them on your flyers. On your swag. Business cards. Everywhere. Link them to the most appropriate page on your website—which, in this case, might be a special landing page for trade-show attendees, replete with some kind of promotion/savings for visiting that page (and providing their contact info, booking a call, or other similar call-to-action). Everything we’d mentioned above is stuff that you can, and should, do well in advance. The sooner you do it, the more pre-show stress you alleviate. Need help? Contact us. We’d love to pitch in.  Great photo by Matheus Bertelli. Special news! Sure, we’ve got a good blog article here, and we’ll get to it in just a second. But first, a little announcement, which segues to this article quite nicely:
We’re proud to announce that this article, these very words you are reading right now, are officially our tenth anniversary blog post. That’s right: We started publishing these in January 2015, and at that time, committed to publishing them twice a month. If you’re unaware—or simply curious—our cadence goes like this: At the top of the month, we publish articles focused primarily for our consulting/business-owner audience. At mid-month, we publish blogs focused a little more toward our “creative” audience, which includes ad agencies and other creative people we enjoy working with. Ten years! And we never missed a post. That’s 240 articles, if we’ve done our math right. And we’re not stopping now. Thanks so much for joining us for this great, long ride! Let’s dive into our latest topic. Why blogging shouldn’t be a New Year’s resolution If you watched any TV during New Year’s, you were surely inundated with ads for gym memberships. It’s as predictable as sunrise. Why? Because people invariably make a New Year’s resolution to “get in shape,” and those gyms are all too happy to cash in. Be honest. How many people have you known (you may be one of them) who made one of these resolutions, joined a gym, bragged to all their friends for the first month or two… and then kind of quietly quit thereafter? Getting in shape takes commitment. In that regard, it’s exactly like blogging. Or doing social posts. Pretty much anything that has to do with your marketing outreach. Not everyone is an Olympian or an NFL star. But that doesn’t mean that you can’t whip your marketing into shape. The good news: It’s much easier than doing squats or lifting weights. You might be surprised at the trick to all this. Ready? Aim low. What??? What???? You read right. This is counterintuitive advice if ever we’d dispensed any. Aim low. Allow us to explain. The attainable cadence The reason that so many people burn out on those January gym memberships is that they aim unrealistically high. So they over-do it. They can’t sustain that level of exertion. And so they just drop out. By aiming so high, they turn it into an all-or-nothing proposition. Which is exactly what you don’t want to do. So ask yourself this: How many blogs could I reasonably push out, every single month? Factor into your answer disruptions like client emergencies and vacation time. Now take your answer, and cut it in half. Really? Really. The resulting number should be laughably easy to attain. And that’s the number you want. For us, here at Copel Communications, we could probably turn these out every single week. But that’s pushing it. So we do it every two weeks, i.e., twice a month. And, as we’d noted above, we’ve never missed a beat. The calendar trick Surely, we’ve had our share of client emergencies, vacation time, and what-not. But the trick is to create what’s called an editorial blog post calendar in which you pre-select the topics you want to blog about. Once you have that in place (we do ours in the fourth quarter each year for the subsequent year), you can then use it to write your blogs in advance so that you always have a cushion for when those client emergencies and/or vacation dates arise. Think of it. You now have two cushions: 1) You cut your originally-intended cadence in half. 2) You have extra blogs, already written, in the pipeline, which you can publish with a single click. When you look at it—and do it—that way, there’s zero stress. And you hit the mark every time. Again, blogging is just one type of output. You can apply this exact same approach to all kinds of marketing and business-development outreach, including emails, webinars, videos, you name it. Who’da thought it would all start by aiming low? Need help with this or similar challenges? Contact us. We’d be delighted to pitch in.  Great photo by Antoni Shkraba. Boy do the months ever sail past. Time, already, for our annual round-up of our top posts for consultants from 2024. Here’s your chance to catch any you may have missed, or to brush up on others you may want to re-visit:
As we start working on next year’s articles, we’d like to take this time to thank you for tuning in to our 2024 entries. We love sharing the love, and your comments make our day. Have suggestions for an upcoming post? Contact us. We’d love to hear from you!  Great photo by Mikhail Nilov. From time to time, we at Copel Communications are invited to make a presentation, via Zoom, to a business or networking group, to talk about what we do and how we do it.
When the time comes for us to present, the Zoom host invariably asks us, “Would you like control of the screen so you can show your deck?” Imagine their surprise when we say, “No thanks. No deck.” So do these presentations, pardon our French, suck? We don’t think so. The feedback we get afterward generally says otherwise. So what’s our secret sauce? Why do we hate PowerPoint so much? What’s going on here, and, most importantly, how can you benefit from this approach? We don’t hate PowerPoint That line above (“Why do we hate PowerPoint so much?”) was pure bait. We don’t hate PowerPoint, simply because we shun it for our own presentations. Truth be told, we make a decent chunk of our income here at Copel Communications from writing PowerPoint decks for our clients! But our business is all about communicating. It’s in our name. And we can communicate this, quite well, thank you very much, without the crutch of a deck of slides. It’s been said that no one wants to hear a sales pitch, but everybody wants to hear a story. So the trick is to frame the pitch as a story. Have a hook. Use teasers. Sure, we’ll toss in a visual (not a deck), when it’s appropriate, such as the cover a brochure we’d written, or simply a photo of our long-suffering dog, just because. There are times when PowerPoint is unavoidable. If you’re a CFO presenting sales trends and forecasts to the board, you’ll need those line graphs and bar charts. If you’re presenting on demographic distribution, a scatter plot is de rigueur. But most of the time, if you do opt to use PowerPoint (or Google Slides, or Apple Keynote, or whatever), go for the minimum. Speaking of Apple. Watch any old keynote presentation by Steve Jobs. He used slides. (Trivia: the in-house app which Apple created to make his slide decks is what morphed into the app called, appropriately enough, Keynote.) And those slides are minimal. An entire slide would say something like “Lightest Mobile Phone on the Market.” And that’s it. Take a page from that playbook. Put the onus on your presenting skills (including writing, practice, and polish). Which segues, quite conveniently, to our next topic: Cognitive dissonance How many times has this happened to you: You’re sitting through some presenter’s PowerPoint, and they say, “There are three big things our company specializes in.” And at that point, they bring up a slide with four Big Things. And the first three don’t even match what the presenter is describing. So you’re forced to decide, on the spot: Which is more important? What I’m hearing? Or what I’m seeing? Because you can’t really do both at once, unless they’re verbatim. Meaning, you either 1) ignore the text that’s staring at you on the slide, and close your eyes, shifting your attention to your ears to listen to the presenter, or 2) you cover your ears (or mute your speaker) and read what’s on the slide, effectively ignoring the presenter. Gee. This, to us, is the all-too-common hallmark of PowerPoint sloppiness. If you’re going to show your audience Three Big Points, then have them match, on screen, what you’re saying, aloud. Even better: Have each bullet appear when you mention it. Don’t bring all three up on screen at once; when you do that, people don’t know whether or not to read ahead. You’ve already lost them. It sounds simplistic—heck, it is simplistic—but have your audience “follow the bouncing ball,” like a sing-along video. We think that many presenters are afraid to do just that, because it seems like it’s dumbing-down or pandering. But nothing could be further from the truth. It’s respectful of your audience. And it makes your points drive home. Where they belong. Our favorite quote from Jeff Bezos, who never allowed slide decks in his “six-page memo” executive meetings: “PowerPoint is easy for the presenter. But hard for the audience.” To recap: You can, and should, use PowerPoint, when it’s appropriate to do so. But use it sparingly. And if you can avoid it—if you can captivate your audience without it—by all means, do so. Need help with that next presentation, regardless of modality? Contact us. We’d be delighted to help!  Great photo by ThisIsEngineering Everyone’s heard of the 30-second elevator speech. But sometimes, it’s a much taller building.
We were recently asked—and this will happen to you, too, soon, if it hasn’t already, so brace yourself—to present our pitch before a business group, with a six-minute time allotment. Quick: How do you present your business, to a target-rich environment like that, in six minutes? Follow-on question: How do you carve up those six minutes? Do you spend all of them, well, presenting? Audience first If you’ve read any articles from us here at Copel Communications, you’ll know that we take a near-religious approach to taking a customer-back approach to everything we do. Start with the customer. What do they want and/or need? Then work back from there, i.e., “customer-back” approach. Same thing applies for your six-minute preso slot. Know who’s in that audience, in advance. Do your homework. Are they like-minded businesspeople in a similar or adjacent vertical? Or—as was the case for us—are they perhaps members of a networking group, looking to lubricate the two-way process of referrals? Get your best possible grasp on who they are. What they need. How many will be in the room. The type of room: real or virtual. How much time will there be for Q&A? Is that baked into the six-minutes? Or is it additional? And if so, how much? Rule of thumb: The more annoying you can be with preliminary questions like these, the more you’ll succeed. Working backward So. We were going to be facing a business networking group—a common venue. What kinds of businesses? All kinds, with the distinction that they, like us, all operated in the B2B space. How did they differ from us? Oooh. That’s a good question you should ask yourself. In other words, how can you differentiate yourself and your offerings? That’s how you’ll cut through the clutter, make your presentation interesting and engaging, and increase your odds of successful business development. For us, fortunately, the answer to the “how do they differ” question was easy. While we toil in marketing, and many of the others in the audience either do, too, or certainly have exposure to it, we were unique in that our background is 100-percent based in creative services. So that made for a neat way in. Outline, outline, outline Turns out, for us, the six-minute allotment included the time for the Q&A. That’s a huge detail. So our outline went something like this:
Close, close, close Odds are, your business doesn’t do anything like what we do here at Copel Communications. Yet we’ll bet that that outline above is easily 90-percent useful to you. Some things are just universal. A speaking opportunity like this, is just that: An opportunity. Seize it. Work the room. Book meetings and calls. Send follow-up emails. Need help prepping for a six-minute presentation, or other similar opportunity? Contact us. We help our clients with challenges like these all the time.  Great photo by Andrea Piacquadio It’s funny how some things in business are cyclical. Way back in the day, we toiled over printed outreach, a.k.a. “direct response” a.k.a. “mailers” a.k.a. “junk mail” a.k.a. “printed spam.”
Of course, all that went out the window when things went electronic. Spam postal mail was superseded by spam email. Ah, progress! Yeah, we can afford to be a little snarky here. Stay tuned. Because the very recent tale we’re about to spin holds profit potential for your business, and your outreach. Dialing up the numbers game First things first: You invest in direct response to drum up new business. It’s like cold-calling. (We could—and may—write another article on that topic, speaking of business cycles and swinging pendulums.) Direct response is a numbers game. If you send out to 100 people, your odds of getting a response aren’t very high. If you sent out to 10,000 people, your odds go up accordingly. Direct response is also often described as a three-legged stool. The list is one of those legs, and its quantity is just as important as its quality. You don’t want to send to people whose addresses (physical or electronic) have changed, not to mention their title… or even their company. The second leg is the quality of the offer. You’ve got to have something that’s really targeted and worth their time, ideally solving a problem they needed solved yesterday. The third leg is the outreach piece itself. That is, the email, or the letter, or the catalog or brochure or whatever. That’s the crux of this article. A matter of cost Print is expensive. Postage is expensive. There’s a carbon-footprint consideration to it, too. So the whole marketing community breathed a collective sigh of relief when things went from postal to email, decades ago. And for a long time, it worked. Correction: It still does… to an extent. But things have definitely changed. You’ll cringe when we mention it, but a big disruptor here is ChatGPT. When it hit the scene, it made it easy for anyone to instantly generate a well-enough-worded email, which they could then blast out to whomever. And boy did they ever. It practically broke the internet. No, that’s an exaggeration. To put a finer point on it: it practically broke every ISP’s spam filter. We have clients now who can’t even send emails to their own, known clients without their getting trapped in spam filters. It started with ChatGPT: The clients’ clients’ spam filters have been closed down so much, to deal with so much incoming junk, that even their own trusted vendors sometimes get locked out. Some of those longtime trusted vendors happen to be clients of ours. And they’ve been switching back to postal outreach. And it’s been working. Where have all the emails gone? One of these clients of ours recently sent out a catalog. Well, not really a catalog. Call it more of a thought-leadership piece that was really a very handy resource for C-level executives to have on their bookshelf. (We’re purposely being cagey here; we can’t reveal too much.) Now this “catalog” isn’t any good unless it gets opened. In other words, tucked inside the envelope with it was--gasp—a cover letter. Yep. We worked on that one. Short, but vital. It teased what was in the “catalog.” It teased the benefits of working with the company that created it. And it invited the reader to book an all-important demo to learn more. Guess what? Envelopes were opened. And demos were booked. By the exact same execs whose spam filters had blocked every other form of recent outreach to them—including electronic versions of the exact same catalog. Email isn’t dead. But boy is this pendulum ever swinging toward print right now. Need help with thorny issues like these? Contact us. We’d be happy to help!  Great photo by picjumbo.com We recently worked on a project, for an ad agency, in which they gave us a 22-page PDF wireframe of a new, in-progress website for a client of theirs. Sometimes we create website wireframes for our clients; other times, like this, we’re tasked with helping to populate others' wireframes.
While we could simply tell you about what we did for this client, we want to broaden this article to make it more useful for you. A website—your website—is a big deal. It’s your face to the internet world. You want to get it right. Question everything When we create wireframes for our own clients, we create them as easy-to-follow Word docs, written in outline form. We have a nice article on how you can easily make one of those, too; be sure to check it out here. When we create wireframes for our clients, we always take a customer-back approach: Who is the website trying to reach? What are their needs? What do we want them to do, i.e., what is the call-to-action? More often than not, for our clients who happen to be consultants, the call-to-action or CTA is “book a demo.” So all of this will be well thought-out. You need to think this out, in detail, before you craft your wireframe. We can’t assume that everyone is so diligent. Fortunately, our ad-agency client, in this story, was. That said, we still had questions. Poring through the 22 pages of boxes and arrows and dashed lines, we wanted to know what their client was trying to accomplish, who their audiences were, the tone they wanted to convey, and what the CTA was for each audience. Nicely, they’d created what we’d call a “three-door” website. Their client serves three different audiences, and so there was a clickable tile (“door”) for each, right on the home page. As it turns out, these three audiences were largely different, but still had some traits—and needs—in common. This helped us to develop a unified tone for the overall business, while still addressing the needs of each target audience. Now think of your website and its audiences: Of course they’re different. But how are they similar? What might they have in common? Asking these kinds of questions can help you elevate the entire site and make it more effective. The brain dump Our ad-agency client didn’t want the typical “fill in the spaces” type of web-writing project from us. Rather, they wanted us to brainstorm lots of ideas for each high-level section of the site, so they could pick, choose, and mix-and-match at their will. This was, for us, fun. It was a headline and body-copy free-thought zone, and we came up with tons of stuff for them… which we then selectively edited down, so that they’d actually get 100-percent usable stuff to choose from. In the end, we delivered a 34-page document, consisting primarily of headlines, subheads, and intro body-copy teasers. Fast-forward to the conclusion of this site’s gestation, and we were happy to see lots of our stuff employed in the finished product. So the takeaway is that there’s more than one way to do this. Our ad-agency client gave us a super-structured document, but then told us to freewheel when we got it. Conversely, we’ve worked on other website projects where there are actual slugs of approved copy baked right into the wireframe itself, and we’ll be given very strict input to create very strict output. We can work either way. Have a website challenge on your plate? Contact us. We’d be happy to help!  Great photo by Alena Darmel. Here at Copel Communications, we get tasked with lots of different writing assignments. There are video scripts. Blogs. Case studies. Email campaigns. Sales decks. Landing pages. Social posts. You name it.
Thing is, a lot of these overlap. And therein lies an opportunity—for you—to approach your marketing outreach more effectively and cost-efficiently. Learn from our experience and evolved best practice. It’s actually pretty simple, but it requires both foresight and discipline. Signed, sealed deliverables Our clients will typically want to promote something (a product, a service, an announcement) to as many people/prospects as possible. Which requires leveraging various media, such as web pages, YouTube, email, and so on. And here’s where the “package” concept originated. We realized, early on, that all of these deliverables-centered-around-the-same-story were basically all parts of the same, bigger thing. Thus we coined the phrase “content package”; you might not see it described that way elsewhere. The idea of “packaging” these, however, is powerful. First of all, it’s hugely efficient. If you’re going to create one of these things, create all of them… at the same time. Note that we said “create.” Not, say, “post” or “publish.” That might be staggered, depending on your media plan. But you do want to create them all at once. It’s going to be easier and more efficient for your writing resource, since they’ll need to align their proverbial ducks just once. That will translate to more consistent content across the package’s discrete elements—and lower costs, too. Here’s another advantage of packaging these assignments together: It’s effectively a marketing checklist. By green-lighting a package, you eliminate the possibility of later discovering that you’d inadvertently left one element out. What’s the core asset? The components of any content package will be dissimilar, not in terms of facts or messaging, but rather in terms of sheer size. The package might include, say, an 800-word blog, along with a 280-character tweet (or X-chirp, or whatever it’s called nowadays). The point is, if you’re going to create all this stuff, know that it’s always easier to cut than to add. That matters, whether you’re creating the materials yourself or assigning them to someone else. In other words, you don’t start with the tweet. Identify the biggest, most detailed, and labor-intensive element in the package, and create that one first. Once it’s nicely honed, you can use it as a feeder for all of the others. It’s not quite as simple as doing a “Save as…” and then chopping down, because there are other constraints and style and audience factors to take into consideration. But still, all the heavy lifting should be done for the “core” asset. Example: We have a client who publishes case studies in a tightly-defined three-tab format (“Client,” “Team,” “Solution”). But they’ll also push out a more narrative-style blog about the same story—and the blog always has more detail, captioned illustrations, and little behind-the-scenes anecdotes baked into it. So we always do the blog first. Then the case study. Then the three-touch email campaign. Then the social teasers for the blog and the case study… you get the idea. Packaged goods As we’d mentioned earlier, creating content packages requires foresight and discipline. Foresight, in that you must often delay gratification, knowing that one element of the package may well roll out at some time in the future. And discipline, in that you must remember to employ the content-package approach, and stick to it. But, like any best practice, once you get used to doing this, you’ll find it becomes second nature… to the vast advantage of your marketing outreach, and your production budget. Need help “packaging” up any content, or creating the elements thereof? Contact us. We’d be delighted to help. |